No Child

at Lookingglass. This was a great, great show. I wished we'd seen it sooner so we could have told more people about it. It's still OK to be heartwarming, right? Sun is an amazing performer.
























From Chris Jones's review in the Trib:

"Fifteen minutes from Midtown Manhattan, eight armed guards watch over the daily comings and goings of students at Malcolm X High School in the Bronx. And as if the travails of raising yourself in the nation's poorest congressional district aren't enough, that institution's young people are subject to the kind of dehumanizing environment -- lines, metal detectors, scared teachers, crummy resources, cripplingly low expectations -- more apt for the training of convicts-to-be than high achievers of tomorrow.That's the thesis of Nilaja Sun's superbly performed and thoroughly gripping one-woman show, which begins a national tour in Chicago after a long New York run and a bevy of much-deserved rewards for Off-Broadway excellence. Sun -- an apt name for an optimistic artist fighting through a cloud of educational dysfunction -- spent a few months as a teaching artist in the school. "No Child" (which she intends as ironic commentary on federal educational policy) is a theatrical account of her temporary but emotionally fraught experiences on the front lines of an inner-city school."No Child" is a must-see -- especially for teachers, who will understand and appreciate this show best of all -- because it combines a persuasive critique of the failings in one of society's most sacred obligations with an innate understanding of the emotional toil of trying to teach well. And like all the best shows based on social observation, it's also willing to celebrate the personal eccentricities that populate every community. Sun sees the fun in these inner-city kids, as much as the imminent potential for tragedy in their lives."