Tuesday, January 20, 2009
Monday, January 19, 2009
Thursday, December 25, 2008
Sunday, December 21, 2008
Friday, December 19, 2008
Work Trip to NYC
Sunday, December 14, 2008
Saturday, December 13, 2008
Dublin Carol
Happy Holidays everyone!From Time Out Chicago. "Among Conor McPherson’s dark plays that make you nearly want to kill yourself—an anthology known colloquially as “the Conor McPherson plays”—there exists a shared ethereal quality that inspires producers to keep mounting them and audiences returning for more....
Dublin Carol, now in a tidy, conservative and affecting Steppenwolf production, is no exception. William Petersen plays John, a perpetually if casually drunk funeral director who’s kept his life low maintenance by abandoning his wife and kids and anesthetizing his soul on a slow bourbon drip. When his adult daughter (Wiesner) shows up with the news that his dying, cancer-ridden wife would like him to handle her funeral, he’s forced to pay the emotional piper.
Tuesday, December 09, 2008
Saturday, December 06, 2008
Midsummer Night's Dream International
This was completely enjoyable.From Time Out Chicago:
"After touring the world, this subcontinental take on the Bard’s nicest comedy came to town just as the Mumbai terrorist attacks were erupting. The crystal-ball acuity is one thing, the quality of the productions another, but between the two, Chicago may be on its most relevant theatrical run in some time. This joyous reinterpretation adds a long feather to that cap.
Director Supple’s London-born show slaps polyglot readings of the venerable source into imaginative physical theater. Circus arts tend to undermine their settings, but the cavorting of spirits and fairies in ol’ Bill’s daisy-chain plot is as excellent a match as imaginable for the aerialist stunts on display.
This multitongued, symbol-heavy adaptation is sometimes an ingenious escape from archaic gibberish, but it’s just as often a stumbling block: Following Elizabethan English is hard enough without heavy accents and arbitrary foreign-language insertions. Yet the ritualistic heart of the proceedings, as profound a meeting of Eastern and Western magickal traditions as anything Aleister Crowley ever dreamt of, burns through these barriers, and the athletic cast of Indians and Sri Lankans perform with a skill and immediacy that transcends linguistic (and cultural) boundaries."
Friday, December 05, 2008
Wednesday, December 03, 2008
Thursday, November 27, 2008
Thanksgiving in NC
Saturday, November 15, 2008
Wednesday, November 12, 2008
Tuesday, November 11, 2008
Kafka on the Shore
From Chris Jones's review in the Tribune:"In dreams begin responsibilities," observes the hero of Kafka on the Shore, Frank Galati's inestimably cerebral, endlessly complicated, occasionally incomprehensible and quite beguiling new show at the Steppenwolf.
What a terrifying thought! In our world of personal overextension and professional crisis, falling asleep for a few hours is the only chance we get to actually evade responsibility. Now Steppenwolf is telling us that we're on the hook for our dreams? Oy.
But if you know your Freud, Oedipus and Hamlet, you'll know the centrality of the unconscious. Japanese novelist Haruki Murakami (on whose novel the play is based) argues that our dreams must be the moral template for our actions.
If you think hard about it—this show requires you to think hard about everything—that's a timely and potent political observation. Throughout history, plenty of people have claimed to have been innocently asleep while, say, one of their leaders bombed innocent people or looted the treasury. Murakami argues that dreaming ain't no defense.
Kafka on the Shore, which contains multiple, elliptical narratives and includes wild, supernatural characters like Colonel Sanders, Johnnie Walker and a talking cat, is about far more than the division of conscious and subconscious. Little is achieved by arbitrary summation of plot, because the piece has many and they don't all follow through."




